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Starting
Sun, Oct 26, 2008 at 8:00 PM EST |
Ending
Sun, Oct 26, 2008 at 11:55 PM EST |
Location & Address
Church of Boston
69 Kilmarnock St.
Boston, MA
United States-02215 |
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Qty |
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Advance Tickets
(more)
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9.50
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USD
1
3284
9.00
0.50
Advance Tickets
N/A
1
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Sale Ended
| Ticket : | Advance Tickets | | Price : | $9.50 | | Fee : | $0.00 | | Sale Ended | | More Details : | | | Advance ticket sales close at 8 p.m. on Saturday, Oct. 25. After that, tickets are available at the door for $13. |
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Sun, Oct 26, 2008 at 8:00 pm to 11:55 pm
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Advanced ticket sales are now closed, but you can still get your ticket at the door for a chilling $13! Doors open at 8 p.m. at Church of Boston (69 Kilmarnock St., Boston, MA)
 It's Sunday, time to go to Church and learn about sin!
The Boston Babydolls present a sermon in seven parts, featuring an all-star line-up: Greed, Pride, Envy, Sloth, Wrath, Gluttony, and a special appearance by Lust!
We kick things off (pun very much intended) with some high-stepping action from Can-Can Revolution, Boston's favorite French-kissin' cuties. Then the gypsies of The Poludaktulos Orchestra work their magic on you. The Boston Babydolls take the stage at 10 p.m. for a pulpit-pounding sermon you won't ever forget!
Advance ticket sales close at 8 p.m. on Saturday, Oct. 25. After that, tickets are available at the door for $13.
The Poludaktulos Orchestra (the "Many-Fingered Orchestra") originated as a modern spin on traditional northern Greek brass band music. The group evolved to encompass a diverse repertoire of groove-heavy, butt-shaking tunes from around the Balkans. With a rhythm section that includes tuba and accordion, as well as electric guitar and a heavy horn section, the Poludaktulos Orchestra brings the Balkan-style party!
Can Can Revolution is Joan Jett as drawn by Tolouse Lautrec, Carole Lombard as played by Debbie Harry, and Beth Ditto interpreting Edith Piaf. Can Can Revolution seeks to memorably recreate the energy and artistry of turn-of-the-century Moulin Rouge performances, but with a cheeky, punk, and modern edge: instead of dancing to riotous Offenbach, they deconstruct everything from Serge Gainsbourg and Mick Jagger to Jon Bon Jovi and
Steve Perry.
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